Jeff Koons, one of the most well-known contemporary artists, has faced significant legal challenges over the years, with multiple accusations of copyright infringement proven correct. These legal difficulties, coupled with recent studio layoffs and production delays, have impacted his reputation and market trends. Then there are the legal battles, plural…
Koons has been involved in numerous copyright infringement cases, many of which he lost. His notable legal troubles began in the 1990s with the "String of Puppies" case, where photographer Art Rogers sued him for copying a photograph into a sculpture. In 2018, he was ordered to pay over $150,000 for infringing upon a French ad campaign in his "Fait d'Hiver" sculpture. These cases have tarnished his image and questioned his creative authenticity (Artnet News) (Artnet News) (Artnet News).
In recent years, Koons has drastically downsized his studio operations. In 2019, he laid off a significant number of assistants as he prepared to move his studio to Hudson Yards, New York. This marked the fourth round of layoffs since 2015, reducing his painting staff from around 100 to approximately 30 people. Long-serving assistants, some with over a decade of experience, were let go, often without severance (ArtGorgeous) (Artsy). These layoffs were partly due to declining sales of his "Gazing Ball" series and a shift towards more high-tech production methods, which Koons believes allow for more precision and less reliance on human talent.
The layoffs have also led to production delays, affecting the delivery of commissioned works. Collectors and galleries have experienced extended wait times, contributing to frustration and uncertainty in the market (Artsy).
If his work is a true asset like a stock or bond, is it in a bull market or bear? Despite these challenges, Koons's market performance has shown resilience. While his reputation has been hit by legal and operational issues, his works continue to fetch high prices at auctions. For instance, his "Rabbit" sculpture sold for $91.1 million in 2019, setting a record for the most expensive work by a living artist. However, the demand for his newer pieces, such as those from the "Gazing Ball" series, has been lackluster, influencing the studio's financial decisions and leading to the recent cutbacks (Artnet News) (Artnet News).
Overall, Koons's market remains strong, though it faces fluctuations due to legal battles, studio downsizing, and production delays. Collectors and investors remain cautiously optimistic, balancing the allure of owning a Koons piece with the practical challenges of his production methods and legal history (Artnet News) (Artnet News).
SO! I ask you, is he really and artist?
Sources:
ARTnews
Artnet News